Fashion becomes Hollywood in the new millennium | Episode 7: In Vogue, 2000s

In the golden age of cinema, actresses were dressed by costume designers and their on-screen looks were setting trends; a notable example is the ‘Letty Lynton’ drop sleeve dress that Adrian created for Joan Crawford. The romance between fashion and cinema in the 1930s cooled in the years that followed. And soon after, the creative industries were siled. “When I grew up there was a distinct line between fashion, cinema, music, high art, like opera, theater, they just didn’t mix,” says director Baz Luhrmann. “And if you hung out in fashion, you were considered a bit superficial. You couldn’t be, you know, a great filmmaker if you cared about fashion. This line disappeared in the early 2000s.

TO Vogue the walls fell quickly. The cover of the December 2000 issue featured Nicole Kidman as Satine, the character she played in the Oscar-winning film Luhrmann. Red Mill! And celebrity covers have kept (and continue) to come as they reach a large, engaged audience that readers relate to in a different way than they do with models. Celebrities, notes editor Mark Holgate, “have given you a different story about fashion. One that was linked to a shared experience, ”like watching a movie or singing a song.


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